Alicia I love this movie so much

Scanialara You won't be disappointed!

ShangLuda Admirable film.

Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Sandeep Gupta Raat Gayi Baat Gayi? Means is meaning gone if night is gone? Not really, if you are a married man, you were with a bombshell in a cocktail party last night and can't remember a thing in the morning. So you gotta wake- up and find what happened last night? This movie is a mini satire on high class society, their two faces; one for public and one for personal life. Directed by Saurabh Shukla and played by few good known names like Rajat Kapoor, Vinay Pathak and Dilip Tahil, the movie never looses you in its less than two hours length. At the end, bad characters come good and good as bad ones and you understand that everything is not what it seems, every chatter box is not a fool, every intellectual person is not honest, independence does not mean not listening to your mind and anything can happen to anyone in this funny life. Enjoy this small satire for its honest characterization and lovely messages to keep your love intact.

rajarajkumar-543 I had somewhat mediocre expectations from the film. But I was utterly disappointed as to my expectations from this film was particularly high after the lot like Mithya and Dasvidania both by Vinay Pathak.Much of its storyline line has a very strong resemblance with the hangover. Though if u r a regular movie goer,u can enjoy this one as an adaptation of Hollywood's flicks!This is a well directed and superbly acted movie which will mostly appeal to the thinking viewers who love the realistic, offbeat and artistic kind of cinema. Go for it if you are a fan of this particular genre.

Avinash Patalay When you look forward to watch the next outing from the trio namely Rajat, Vinay and Ranvir - the expectations are nothing short of "Bheja Fry" to least to speak. Especially if you give it a topping of Saurabh Shukla helming the affairs, there is absolutely no room for going astray.The good news is the product works and the sad news is only in parts. The narrative is unique and keeps the audience intrigued however there seem to be lapses at various junctures. Performance wise the entire star-cast have delivered a spectacular performance. The beard doesn't deliver the impact of the usual "suave" Rajat look. He seems to be straight out of "Siddharth" sets.Vinay role as a bosom buddy was okay'ish. Required more depth. In addition, he "fit" looks he sported for "Straight" seems to be waning and it shows.Ranvir hardly contributed with his jibes about "Austraaliaa".Neha Dhupia seems to have developed a penchant for the character since "Ek Chaalis Ki Last Local". Ecdysis warranted asap. Dilip Tahil character was over-emphasised. The "Jack out of the box" was as big as a bus.Irawati, Dilip Tahil, Anu Menon, Navneet Nishan - all did a great job there.Verdict: Not a bad watch if aired on telly.

Atul Gupta Rajat Kapoor camp has given us some memorable offbeat flicks in the past (remember mithya and mixed double!!). So I had pretty high expectations from RGBG which I feel sorry to say did not meet them fully. The movie is not too disappointing, it has its funny moments and a good ending; but it seriously lacks in the script and screenplay. Though the end is surprising, the first half does not generate much curiosity about "What the hell really happened last night between Rahul and Sophiya?". A few more twists in the tail and a tighter screenplay could have done the job.The movie scores well in most of the other aspects. The actors are at their best, especially Vinay Pathak, Navneet Nishan and Ranvir Shourey (he creates magic even with such few scenes). Neha was amazing as a 'totta' and I am glad she is emerging as a fine actor with movies like Dasvidaniya, Ek Chaalis, Maharathi and RGBG. Iravati is a refreshing entry in Rajat's camp and I hope she stays. The background music is good, could have been better.Overall, it is a nice watch for multiplex crowd, but not the kind of stuff you expect form the ensemble.