Protraph Lack of good storyline.

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.

grainstorms Wise-cracking cab-drivers who say "Thank you" for a 75-cents fare and gum-chewing waitresses bringing customers the $1.25 specials in a stable-themed Greenwich Village restaurant are clues that tell you that you're in the movieland of the '40s. "A Night to Remember" is a screwball comedy/murder mystery made for a tired audience looking for not much more than a 90-minute break from war news. They got their quarter's worth. The leads are young and beguiling; the plot is nicely knotty; the dialogue is fast and furious; the humor is basic and wholesome; the styles, quaint though they may be to our jaundiced eyes, are up-to-the-minute (more fedoras than at a hat-makers convention; and most of the men sport identical little moustaches, making them at times indistinguishable); and the pratfalls are frequent and farcical. But there's something more going on here.The sun never seems to shine on narrow and twisting Gay Street in Gotham's Greenwich Village, at least at No. 13 - a dark and brooding walkup brownstone where every apartment apparently comes with hot and cold running terror and a corpse next door. At least that what Brian Aherne and Loretta Young, as an attractive young couple just looking for a nice place to live, are about to find out in "A Night to Remember."...which offers up a scream about every three minutes. In this rowdy comedy mystery, the body count gets higher while the laughs keep adding up. Aherne and Young, as an addled and rattled husband and wife, can't even turn around in their apartment without something or somebody sinister dropping in. Brian Aherne, a mystery novelist without a clue, and a stunning Loretta Young, who gets frightened very easily and shrieks rather nicely, have to pick their way through very menacing goings-on before they can settle in. But they find very quickly that they can't trust anybody in their new home, where your neighbor might well be as disturbing as a creaking floorboard at midnight or as quiet as somebody (or something) breathing heavily outside your door. What's worse is that a grumpy police inspector, played here by Sidney Toler (don't expect any quaint sayings), trusts neither Aherne nor Young.As the young couple quickly discover, there are a great many secrets in this strange house, and the unnerving characters (played by a virtual graveyard shift of talented performers, including Jeff Donnell, Lee Patrick, Blanche Yurka and Gale Sondergaard) who show up at odd places and odd times aren't the sort of folks who share."A Night to Remember" may be forgettable, but it definitely is watchable and enjoyable. Director Richard Wallace keeps the suspense dialed on high. And veteran cinematographer Joseph Walker has a way of making a banister or a backyard or even a bathtub look like something from "House Baleful." (Forget about film noir. This is film dire!)Bonus: Look for Brian Aherne's hilarious misadventures in a treacherous kitchen, where even an ordinary oven can turn into The Fiery Fiend From Hell. As you'll find out with delight, stalwart but suave Brian Aherne (some called him "the poor man's Errol Flynn") actually had a surprising gift for slapstick! And Loretta's later reputation for a sweet elegance is foreshadowed here. (No calm serenity here, though. That would come later.) Already a 25-year veteran of the movies, with more than EIGHTY films under her belt, the 30-year-old beauty easily matches Aherne for double takes and popped eyes and flapping hands and frozen stares and stammered warnings. And she's definitely a far better screamer.

vincentlynch-moonoi I had never heard of this film until it popped up on Turner Classic Movies. So, I settled down one evening to view it and almost turned it off after the first 20 minutes. The plot...adequately described in other reviews here...is...well...sort of dumb with a number of inconsistencies. From my perspective, what makes this film worth watching, and what kept me watching are the performances and witty dialog. A somewhat wacky screwball comedy (of sorts) is not what I'm used to with Loretta Young, and I rather enjoyed her in this role. And, I'm not that familiar with Brian Aherne, but -- once you accept the absurdity of many plot aspects -- his performance is engaging. Much of the dialog between them can be described as "snappy", and perhaps a poor man's Nick and Nora. The dialog between Aherne and the cops -- who aren't as befuddled as Aherne suspects -- is often clever, too. You'll recognize a couple of the supporting actors, particularly Sidney Toler and Gale Sondergaard (rather restrained here and not half so evil as her roles often were), but I always enjoy watching Donald MacBridge -- the master of the "slow burn". Is this a great movie? No. But, given the limitations of the script, it's quite entertaining.

Neil Doyle LORETTA YOUNG and BRIAN AHERNE are cast as a seemingly hapless married couple who are caught up in a murder mystery that neither one is capable of dealing with. He's a mystery writer and it isn't until the story is more than half over that he begins to pick up on any sort of clues that will help solve the case.Just as baffled by the mysterious doings in a Greenwich Village apartment are policemen SIDNEY TOLER and DONALD MacBRIDE. Their bumbling efforts are mostly designed to provoke some mild laughs--which is not surprising since the story is really a light comedy with the murder aspects kept pretty much in the background so that Young and Aherne can give their comic flair a workout. The mystery angle is only sketchy and makes no real sense. There's a low-budget look to the proceedings.It's easy to take as long as you accept this in the context of a film made in the early '40s with some of the usual clichés that appear in any such comedy/mystery from that era. Some of the comedy is forced (the doors that never open properly for Aherne, candlesticks that move on their own thanks to a turtle who keeps popping up unexpectedly and even steals the bed covers off a terrified Young). All in all, it's a breezy enough effort with come amusing supporting roles and an especially good turn from LEE PATRICK and GALE SONDERGAARD.Summing up: A Columbia trifle that passes the time pleasantly and affords Loretta Young and Brian Aherne a chance to romp among wacky comedy situations.

airfast I just saw this film for the tenth time. I enjoy Brian Ahern as the scatter brain murder mystery book writer who, with is wife, Loretta Young, move into a basement apartment of an apartment building where the tenants all live there because they are being blackmailed. The whole cast has solid character actors you've seen in so many other films. It is nice to see Lee Patrick as a café owner with out her high pitched voice that she later became known for. A dead man is found in their back yard, that they had seen while eating dinner the night before and the two start their own investigation as to who the man was and why is everyone being blackmailed. The story continues to move so easy through its 91 minutes that I was sorry to see it end.