A Few Days in September

2006
5.2| 1h56m| en
Details

1 September 2001. Elliot, an American C.I.A. agent holding top secret information on the immediate future of the world, disappears. His sole aim was to meet his daughter Orlando, whom he abandoned ten years before. Irène, a French agent who used to work with him, and David, his adoptive son, will help him and lead the girl to her father. Chased by William Pound, a strangely poetic psycho, they will defy the dangers of international espionage from Paris to Venice and finally get to Elliot on 11 September 2001.

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Reviews

AniInterview Sorry, this movie sucks
Matialth Good concept, poorly executed.
Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies
Tobias Burrows It's easily one of the freshest, sharpest and most enjoyable films of this year.
Lino Dubert A truly pretentious movie. An eurocentric & decadent view of world politics. I've got the impression that the oldfashioned views of a remote European country lost (in all senses) in the southern tip of the American continent has resulted in this moth-ridden flick. It's depressing to see the talent of Me.Binoche lost in idiotic cosmopolitan smiles and intellectual frowns behind the out-of-focus smoke of a sexy cigarillo. In Madrid, a couple of days after its première, the cinema was empty. Everybody went to watch a much better American thriller. It's sad that we are no longer the center of the world although we may find some confort in calling the American "dinosaurs". Too bad we are just "dinosaur footprints"...
cashman1955 I don't know the words necessary to truly describe how awful this movie is. First and foremost, it's an anti American diatribe. Yes, George Bush stole the 2000 election, the US paved the way for Iraq to invade Kuwait, and the US government had advance knowledge of the September 11th attacks. And those are the good parts. Every performer did such terrible jobs, it's hard to choose who was the worst, but I'll say the girl who played the daughter.Even John Turturro, who I have never seen in a bad role, is bad in this bomb.I guess this is supposed to be some sort of spy thriller, with lots of phone calls and clandestine meetings set up but never carried out. It failed miserably to create any tension, and was a good 45 minutes too long for the amount of story they had to begin with.
monsieurubu If you are waiting for action and violence, don't go and see this film. The spy plot, in this movie, is only a pretext to show us the meeting of three strangers who learn to know and understand each other while they are waiting the final coming of Elliot, under the threat of William Pound, a hilarious psychotic killer played by John Turturro. What is interesting is to see how, gradually, characters begin to talk really, and to build a real link between them. In some way "Quelques jours en septembre" may remind us of "Sonatine", by Takeshi Kitano ; the whole film is indeed totally based on a very long expectation ; an expectation that the audience is obliged to share with the characters : during the 40 first minutes we don't know where Santiago Amigorena is leading us, we are totally lost - but if we have the patience to wait, we enter the action and get really rewarded for our efforts. To conclude, I must mention Tom Riley and Juliette Binoche's remarkable performance, a very original aesthetic "parti pris", and a very pleasant bittersweet humor (I think for example of John Turturro's dialogs with his psychiatrist).
lefrelonvert Other than good performances from Juliette Binoche, Sara Forestier and the likable newcomer Tom Riley, this movie doesn't have much to recommend it. Aiming to be a "metaphoric" spy movie about the evils of secrecy and the wounds of childhood, the film fails for having plot devices instead of characters and a sloppy, unconvincing direction, resulting in an overall bore. We are also treated with highly annoying anti-American propaganda. Nick Nolte pops up in the last ten minutes like a poor man's Colonel Kurtz but his appearance comes too late to wake up the movie. For works playing successfully playing with the thriller genre, try some of Paul Austers'books or Wim Wenders'earlier films instead. Skip this one.